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J.S. Bach
J.S. Bach - Musikalisches Opfer: Canon a 2 - I (Cancrizans)
Roland Bouman
0:36 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 31 0 12 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 31 0 12 3 100%
 
32. Befiehl du deine Wege, J.S. Bach, BWV 272.
SDG
0:55 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 16 0 5 5 100%
Treble 16 0 5 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 16 0 5 5 100%
Treble 16 0 5 5 100%
Bass 22 0 7 6 100%
Bass 22 0 7 6 100%
Soprano/Alto Treble 16 0 5 5 100%
Tenor/Bass Bass 22 0 7 6 100%
Contrabass Bass 16 0 5 5 50%
 
4. Soll's ja so sein, dass Straf' und Pein, (Ach Gott und Herr), J.S. Bach, BWV 48-3. Cantate 'Ich elender Mensch, wer wird mich erlösen?'
SDG
0:31 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 4 6 100%
Bass 24 0 7 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 4 6 100%
Bass 24 0 7 6 100%
Soprano/Alto Treble 13 0 4 6 100%
Tenor/Bass Bass 24 0 7 6 100%
Contrabass Bass 17 0 6 4 50%
 
10. Ach, was soll ich Sünder machen (B.A. 39. No. 7), BWV 259.
SDG
0:37 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 2 5 100%
Treble 12 0 2 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 2 5 100%
Treble 12 0 2 5 100%
Bass 21 0 5 5 100%
Bass 21 0 5 5 100%
Soprano/Alto Treble 12 0 2 5 100%
Tenor/Bass Bass 21 0 5 5 100%
Contrabass Bass 15 0 2 3 50%
 
11. Ach wie flüchtig, ach wie nichtig, BWV 26.6
SDG
0:32 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 15 0 4 3 100%
Treble 15 0 4 3 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 15 0 4 3 100%
Treble 15 0 4 3 100%
Bass 26 0 8 3 100%
Bass 26 0 8 3 100%
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 26 0 8 3 100%
Contrabass Bass 21 0 6 3 50%
 
38. Christ lag in Todesbanden. BWV 277.
SDG
0:58 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 16 0 5 5 100%
Treble 16 0 5 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 16 0 5 5 100%
Treble 16 0 5 5 100%
Bass 23 0 7 6 100%
Bass 23 0 7 6 100%
Soprano/Alto Treble 16 0 5 5 100%
Tenor/Bass Bass 23 0 7 6 100%
Contrabass Bass 15 0 5 5 50%
 
48. Christus, der uns selig macht. BWV 283. J.S. bach.
SDG
0:49 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 4 4 100%
Tenor/Bass Bass 25 0 8 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 4 4 100%
Tenor/Bass Bass 25 0 8 6 100%
Contrabass Bass 20 0 6 4 50%
Alto Treble 2 0 0 1 6%
 
50. Christus, der uns selig macht. BWV 245.37. Joh. Passion. J.S. Bach.
SDG
0:49 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 5 4 100%
Tenor/Bass Bass 21 0 9 4 100%
Contrabass Bass 17 0 7 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 5 4 100%
Tenor/Bass Bass 21 0 9 4 100%
Contrabass Bass 17 0 7 4 50%
 
49. Christus, der uns selig macht. BWV 245.15. Joh. Passion. J.S. Bach.
SDG
0:50 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 22 0 7 4 100%
Contrabass Bass 16 0 6 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 22 0 7 4 100%
Contrabass Bass 16 0 6 4 50%
 
J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus VII.
Samuel Ricke
0:53 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 14 0 4 6 100%
Bass 22 0 6 6 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 14 0 4 6 100%
Bass 22 0 6 6 100%
Alto. 8 0 1 5 100%
Basso. Bass 15 0 5 6 100%
Continuo. Bass 15 0 5 6 100%
Cornetto. 11 0 3 4 100%
Soprano. 11 0 3 4 100%
Tenore. 12 0 3 4 100%
Trombone
I.		 8 0 1 5 100%
Trombone
II.		 12 0 3 4 100%
Trombone
III.		 Bass 15 0 5 6 100%
Viola
I.		 8 0 1 5 100%
Viola
II.		 12 0 3 4 100%
Violino
I.II.		 Treble 11 0 3 4 100%
Violone. Bass 15 0 5 6 100%